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Music Production is not a standalone major—it is a within the Music major. It incorporates classes in recording, mixing, mastering, and operating a digital audio workstation (DAW) alongside the other required classes within the Music major.

Yes.

Yes.

Yes, but  is off limits to non-majors, and other high-demand Music Production courses may fill with Music majors, effectively making them inaccessible to non-majors, depending on the course. Some 100 and 200-level Music Production courses are regularly taken by non-majors.

Students who enroll in  are given access to the studio for the remainder of their time at º£½ÇÉçÇø.

Rising juniors who have declared Music as their major and Music Production as their concentration are given the first opportunity to register. The remainder of the slots in the class go to junior or senior Composition students and rising sophomore Production students. Non-majors and first year students are ineligible to enroll.

We currently offer 20 slots per year.

Yes, but please consult with your advisor and cross-check the in both programs to ensure that your classes are sequenced in a timeline that allows you to graduate on time. Prospective double-majors should, in their first year, map out their course schedule for all four years. Music majors with a Music Production concentration who intend to both double major and study abroad in their junior year must complete the music theory sequence, MUSC 148, MUSC 247, and MUSC 348 in their first two years (and if space allows, MUSC 249).

If you have previously studied music theory, then you should take the to determine if you should take MUSC 101 Music Theory I in the fall or MUSC 151 Music Theory II in the spring. If you have not previously studied music theory, then you should enroll in MUSC 101. MUSC 151 is a prerequisite or corequisite to taking MUSC 148 Introduction to DAW, which is the prerequisite production course for all advanced production courses.